AUDRORA
A tribute to the poetess Audre Lorde


I wanted to celebrate her various facets by carrying out a research on her poems and personal legacy
whose rhizomes are spread out and intertwined in a variety of cultures.

The whole drawing also has a broader meaning.
It does not overtly tell us about the specific cultures it is showing, it rather proves that, amongst different cultures, a synchronous harmony is possible.
By celebrating them together, we celebrate the power of human eclecticism, subverting stereotype and conventionality.

Click on the drawing to enlarge

"Audrora" by Noura Tafeche is a personal reinterpretation of “Aurora” by Guido Reni .
Audrora is the fusion of the name of “Audre” and “Aurora” .
Reni’s Aurora (Roma, 1613-1614) depicted the allegory of the sun rising from the sea,
where the figure of Aurora - The Dawn, ballooned in the clouds scattering flowers accompanied by Phosphorus the little cherub next to her, the first star of the morning, the twilight.
The golden chariot of Phoebus pulled by four powerful horses from different colored cloaks,  indicate different degrees of light that precede the appearance of the Sun.
On the chariot, surrounded by Le Ore - Horai (Ὧραι, "Seasons"), sits Apollo wrapped in an aura of light leading toward morning.

The reinterpretation plays on many of the verses of poems by Audre Lorde, which are also mentioned in the drawing  -  "For all of us this instant and this triumph" is engraved on the chariot wheel, and each character carries a piece of Audre's legacy.

So it features the Hours as dancers, Amazons from Dahomey, mothers and mythological figures, Phosphorus like a tender little girl, and Apollo as a fiery and blazing Caribbean carnival dancer who leaves the horses, in this version, unbridled, free to lead the chariot towards the light. The Aurora, followed by the Sun chariot, is Audre Lorde, adorned with light fabrics, air swollen, who stands out against the purple twilight clouds.

The design is inspired by a study of Grenadian, Yoruba, Hausa, Dahomeyan and Akan Culture






From left to right
Grenadian Woman with Gwan Wobe, Gloria Joseph, Amazon from Dahomey, Grenadian Carnival Dancer, Sakpata Dancer (Benin), Yemajà.




From left to right
Yemajà, Matadora from Carriacou's Big Drum or Nation Dance, Elewoo (Yoruba Hairstyle) Woman, Phosphorus as a little Girl, Hausa's Durbar style Horses.




Audre is Mawu

The sun and moon goddess in Dahomey mythology,
that's why she is leading towards the light from the dark.
Audre is wearing a traditional Ashanti dress (Ghana) : Kente.
There is a small percentage of the population of Grenada of Akan descents, which also justifies the use of names purely Ghanaians like Kwame, Ato, Ebo.
This only reinforces the influence that the Akan and the Yoruba have had on the island.
In addition, the fabric's choice of Ashanti is justified by Audre often mentioned in "Sister Outsider"  sense of reminiscences of Kumasi, Accra and Cotonou.
After a research on Kente cloth's textile symbolism and according to the colors that the fabric has, it will have different meanings, and that's why I chose the following colors for her gown:

Black - Maturing intense spiritual energy
Blue - Harmony, love and peace
Reddish Brown - Mother Earth’s color, referred to the cure as a desirable permanent healing from Audre's disease
Gold - Spiritual loftiness, glory and prosperity


Not only the colors search has been deep but also of the patterns, because each embroidery on Kente's design has a meaning and those that I have identified and then drawn on the suit are:

Nkyimkyim - in the shape of zigzag and means "life is not a straight path"
Afa - the shapes that fit together and it means "I got it"
Puduomma - a little shaped-diamond meaning "you have to exercise patience in everything you do"
Fatene - means go straight to Agyeman (a probable Asantehene - an Ashanti monarch benevolent with the poor)


Audre is bejeweled with gold because in the Akan culture gold plays a vital and central importance for the representation of its own person and according to a traditional view gold is like a living being independent and characterized by a strong spirituality.
Also as Audre always reminds in Sister Outsider "I was alive. The sun was shining. I remember I was feeling a bit dull but rather relieved that it was all over, so I thought. I put a flower in my hair and I thought, 'It was not as bad as I feared. "
And again here she goes " I'm Inexplicably partial to women with flowers in their hair. "
And so I put a lot of flowers in her hair (white peonies).
In some floral symbols Peonies are a symbol of healing, a kind of beg to her desease to cease and her pains alleviated by the healing.



Hand Drawn with Luminance Caran D'Ache Pencils on Fabriano Paper

Actual Size : 30 x 70 cm / 12 x 27 inches



If you’d like to discover more about the meanings behind each character portrayed
please click HERE
to read the full Artwork’s document

(ITA version available only)



HOME