WHO

Noura Tafeche
is a counter-disciplinary artivist, an independent scholar and a wannabe prankster.
She works in between miniature-scale drawing, public installations and research.



nouratafeche (at) gmail.com



Read my
Artist Statement




WHERE  I WRITE

Corriere della Sera
Medium


WHERE I’M FEAUTRED

Griot Magazine Italy
Griot Magazine International
Pressenza
JDEED
Shades Collective






WHAT


Her drawings are mainly miniatures where she conveys different themes based on self-taught studies on transcultural
process, linguistic relativity and critical approaches towards the society of mass surveillance.
Simultaneously she explores new visual forms of public protests though her ongoing project Los Globos Artivistas.
Alongside she experiments the different facets of the Radical Tenderness, an emergent topic which carries the
value of intimacy and care as a political practice, in particular she curates Micro Regali di Strada, a public performance
of relational art consisting in publicly and anonimously leaving gifts all over the streets.
In 2018 she co-founded Centro di Cultura Araba, a no-profit organization based in Milan, established
to spread the culture of Arab art, literature, knowledge and aesthetics, with the ambition to create the first public
Italian-Arabic library and documentation centre in the area. 

Currently she’s developing her ongoing project Surveillance Kawaii, initiated in 2017 and debuted at Yami Ichi during the annual The Influencers Festival hosted at CCCB, Barcelona.
Surveillance Kawaii is expected to be a solo exhibition in Milan at the end of 2020.






WHY

...it all started?

From 
Guerrilla - Communication
by Autonome A.F.R.I.K.A. Gruppe,
Luther Blissett and Sonja Brünzels

The most radical literature about non-conventional art and activism
free download

Italian    or    French

Share the witty knowledge



P.S.
A very insignificant aside :
It may happens to ask how come my website is named xxx.persona.co,
when I can have your own .com domain.
I can afford an upgrade but I do really like to remember to the audience and to myself that I am a persona, a being, not a corporation or a company’s CEO,
and behind all of that, there’s just me.





Plus it bestows a touch of Ingmar Bergman too




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